The Houses of Parliament (Effect of Fog)

Claude Monet

1903

Oil on canvas

81.3 x 92.4 cm

Claude Monet never worked on his paintings in a systematic way and did not complete them in one go. Rather, he made starts on many of them, up to several dozen at a time. As he explained, the weather in London was so changing that he could only work on a canvas for five minutes before the light and fog shifted, and he was forced to start anew or pick up an earlier canvas. All the paintings were finished in his studio in Giverny. This distance allowed Monet to exaggerate specific effects or enhance certain colours, adding to the visual power of the individual works and the coherence of the series.

The Metropolitan Museum of Art, New York. Bequest of Julia W. Emmons, 1956. Image copyright The Metropolitan Museum of Art/Art Resource/Scala, Florence